How Important is Learning CAD?
Monday, December 28, 2009 0 commentsWhen you are someone who is interested in graphic design jobs and when you find that the design jobs that you are looking at are competitive, you might wonder what CAD has to do with it.
When you are looking to make sure that the designer careers and the design jobs out there are looking forward to taking you in, you will find that the more you know about CAD and what it can do, the better off you are going to be. If you are ready to really get into the graphic design jobs and the designer careers out there, remember that you should take some time and learn more about the different parts of this field and what goes into it.
Improve your Graphics Workflow with Wacom Tablets
Sunday, October 4, 2009 0 commentsHosted by Wacom's Dan Johannssen
Monday, October 12, 2009 at 6:00 PM
Dan Johannssen of Wacom will demonstrate how a Wacom tablet and stylus gives you a more natural interface for interacting with your computer, speeding up your work and producing better results. Make detailed drawings and illustrations that accurately simulate paint, pencil, and other mediums. Learn how to retouch your photos like a pro. See how using a tablet and stylus will bring your work to levels your mouse only dreamed of.
We'll be featuring the Wacom Cintiq 21" Interactive LCD Display in this event, but the same techniques apply to all Wacom tablets, including the Bamboo and Intuos. A Wacom tablet extends and enhances the powerful editing tools in Adobe CS4, Quark, and other professional graphics programs, taking them to a new, higher level of performance.
This 90-minute event will be followed by a Q&A session.
Handy Keyboard Shortcuts For Internet Explorer, Chrome and Firefox
Sunday, September 27, 2009 1 commentsTargeting Adjustments in Photoshop Using a Layer Mask
Saturday, September 5, 2009 1 commentsMaking overall adjustments to bring out the maximum amount of detail in your images is a common goal, but one of the reasons for using the tonal adjustments within Photoshop in addition to those you already made in ACR is so that you can apply the changes to only certain areas of the image. You may want to do this to help emphasize your subject or to reveal detail in areas of your picture that have different lighting. Doing so requires the use of a layer mask to target the adjustment to a particular area of the image.
Every adjustment layer comes with a layer mask. It’s the white box that appears in the adjustment layer next to the icon for the type of adjustment. The shape of the mask matches the shape of your image, as shown below. Try it now>>
Create a Natural Media Brush in Photoshop
Thursday, September 3, 2009 0 comments- One based on math, i.e., geometry. This sort of brush is created by duplicating a Photoshop preset labeled “Soft Round” or “Hard Round”, and then customizing it as shown in the following sections; you click a brush, click New Brush Preset on the pop-up menu, name the brush in the Brush Name dialog box, and you’re all set to modify it. The limitation to building this type of brush is that it’s always elliptical in shape—you cannot give it an irregular outline as a stroke with a physical paintbrush can produce.
- One based on a bitmap. This is the type of brush you’ll learn to create in this chapter. It’s a mental, not a physical challenge; and the payoff is that a saved bitmap-type brush can be used in scores of design and retouching situations. The strokes it produces can look quite natural and photographic; additionally, all the options on the Brushes Panel are available for customizing the bitmap brush tip. Try it Now>>
Five Windows command prompt tips every IT pro should know
Tuesday, September 1, 2009 0 commentsHTML
Monday, March 16, 2009 0 commentsHTML Code Tutorial
Welcome to the HTML Code Tutorial. Our goal is to provide the most helpful and complete guide to creating web pages anywhere. If you're just beginning, start learning HTML here.
Creating Grunge Effects in Illustrator
Monday, February 16, 2009 0 commentsOne of the more popular design elements these days isn’t an element at all, it is really destroying the elements you already have in your design! Simply put, grunge.
We have all seen many tutorials on creating grunge elements and grunge brushes in Photoshop, but I would like to show you that it is just as easy to apply grunge elements to your vector art work in Illustrator. Try it Now>>
Avoiding White Outlines in Photoshop
Saturday, February 14, 2009 1 commentsThe trouble is that when objects are saved as cutout images, with no background, the act of turning a clipping path into a selection will, because of the anti-aliasing process involved, include a thin white border from outside the object within the selection.
This is not a difficult problem to deal with. But wouldn’t it be better if the problem didn’t arise in the first place? Here’s a simple solution that can save a lot of time later. Try it Now>>
How to Make a Seamless Offset Pattern in Illustrator
Monday, February 9, 2009 0 commentsThere are many ways to create seamless patterns in Illustrator, but I’ve found many of them to be too simple and limiting, or even worse, too complicated. Through practice and experimentation, I’ve found a method that gives me the creative flexibility I’m looking for, but is also easy enough to be achieved in minutes instead of hours. Try it Now>>
Effortless Reflections
Monday, February 2, 2009 0 commentsCreate a Reflection in 5 K.I.S.S. Steps
If there is one thing I have learned in my years as a graphic designer, it’s that I need to keep things simple. I always try to keep in mind the old adage, K.I.S.S. (keep it simple silly). Now, I’m aware that normally the word “silly” is replaced by “stupid,” but the word “stupid” is not a very positive thing to be repeating to yourself each day. Try it Now>>
Creating a Vector Face in Illustrator
Monday, January 26, 2009 0 commentsLet’s take the mystery out of creating a vector face using Illustrator. Although there is no single way of doing it, I will guide you step-by-step from sketch to the finished illustration using the magnificent Pen Tool. No reference photos will be needed, just your vivid imagination and drawing skills combined with a basic knowledge of Adobe Illustrator. Try it Now>>
Mastering Opacity Masks in Illustrator
Monday, January 19, 2009 0 commentsBehind the Mask, Part 2
Mastering Clipping Masks in Illustrator
Thursday, January 15, 2009 0 commentsBehind the Mask, Part 1